(Foreign Affairs studio version, 1977)
Licorice tattoo turned a gun metal
blue
Scrawled across the shoulders of a dying town
Took the one eyed Jacks(2) across the railroad tracks(3)
And the scar on its belly pulled a stranger passing through
He's a juvenile delinquent, never learned how to behave
But the cops'd never think to look in Burma-Shave
And the road was like a ribbon,
and the moon was like a bone
He didn't seem to be like any guy she'd ever known
He kind of looked like Farley Granger(4), with his hair slicked back
She says 'I'm a sucker for a fella in a cowboy hat.
How far are you going?'
Said 'Depends on what you mean'
He says 'I'm only stopping here to get some gasoline'
'I guess I'm going thataway, just as long as it's paved
And I guess you'd say I'm on my way to Burma-Shave'
And with her knees up on the glove
compartment
She took out her barrettes, and her hair spilled out like rootbeer
And she popped her gum and arched her back
'Hell, Marysville(1) ain't nothing but a wide spot in the road
Some nights my heart pounds like thunder
Don't know why it don't explode
Cause everyone in this stinking town's got one foot in the grave
And I'd rather take my chances out in Burma-Shave'
'Presley's(5) what
I go by, why don't you change the stations
Count the grain elevators in the rearview mirror'
She said, 'Mister, anywhere you point this thing
It got to beat the hell out of the sting(6)
Of going to bed with every dream that dies here every mornin'
And so drill me a hole with a barber pole(7)
And I'm jumping my parole just like a fugitive tonight
Why don't you have another swig(8), and pass that car if you're
so brave
I wanna get there 'fore the sun comes up in Burma-Shave '
And the spider web crack and the
mustang screamed
The smoke from the tires and the twisted machine
Just a nickel's worth of dreams, and every wishbone that they saved
Lie swindled from them on the way to Burma-Shave
And the sun hit the derrick and
cast a bat wing shadow
Up against the car door on the shotgun side(9)
And when they pulled her from the wreck
You know, she still had on her shades(10)
They say that dreams are growing wild
just this side
of Burma-Shave
Written by: Tom Waits
Published by: Fifth Floor Music, Inc. (ASCAP),© 1977 & Warner Bros. Music
Ltd, 1986
Official release: "Foreign Affairs", Elektra Entertainment/ WEA
International Inc., 1977 &
"Bounced Checks", WEA/ Asylum Records, 1981 &
"Anthology Of Tom Waits", WEA/ Elektra, 1984 &
"Asylum Years", WEA International Inc., 1986
(Live version State Theatre, Sydney/ Australia. May 2, 1979)
You know, I remember...
It rained all day the day that Elvis Presley(5) died
And only a legend can make it do that!
And you know, I remember when my baby said we were through
And she was gonna walk out on me
It was Elvis Presley that talked her out of it
And he gave me my first leather jacket
And taught me how to comb my hair just right in a filling station bathroom
It was Elvis that gave you a rubber on prom night
And told you that you looked real sharp
And you know, I think he maybe just got a little tired
Of repairing all the broken hearts in the world.
And now I think maybe I understand
Why mechanics' cars never start
And why night watchmen are always sleeping on the job
And why shoeshine boys always have worn-out scooped-up shoes.
But eh... [mumbles]
A legend never dies, he just teaches you everything he knows
To give you the courage to ask her out
And I know, there's a small little town where dreams are still alive
And there's a hero on every corner
And they're all on their way to a place called
Burma-Shave
Scrawled out across the shoulders
of this dying little town, see?
And every night it takes the one eyed Jacks
You know, a one eyed Jack is like a...
You got one headlight burned out on your car
It's called a one eyed Jack
You can see them from across the railroad tracks(3)
Over the scar on its belly, there came a stranger passing through
And he was a juvenile delinquent
He never learned how to behave
But the cops never think to look
When you're on your way to Burma-Shave
And the road was like a ribbon,
man
Yeah, and the moon was like a bone and
He didn't seem to be like any guy that she'd ever known
He kinda looked like Farley Granger(4), with his hair ssslicked back
And she said, 'Honey I've always been a sucker for a fella that wears a
cowboy hat
And just how far do you think you might be going, Mister?'
He said 'Baby, that all depends on... what you mean
Cause I'm only stopping here tonight, cause I gotta get myself some gasoline'
'And I guess I'm going out thataway, at least ride as long as it's paved
And I guess you'd say I'm on my way to Burma-Shave'
And he said, 'Well, that's
cool Why don't you put your knees up on the glove compartment?'
Well, she took out her barrettes, and man, her hair spilled out just like
rootbeer
She popped her gum and she arched her back
She said, 'Man, this little town don't amount to nothin'
It's just a wide spot in the road
And some nights my heart pounds like thunder
I don't know why it don't explode
And everybody in this stinking town has got one foot in the grave
And I'm gonna take my chances with you tonight
On the way to Burma-Shave'
And he said, 'Eh, well you
know.... okay Eh... how old are you?
Ah! That's... a problem...
Uh, where do you go to school, babe? Oh yeah? I went to Sweetwater
Oh yeah, I dropped out, y'know You know how it is. Got in trouble...
You know a guy named Eddie Alvarez? No?
Well, Presley's what they call me
Why don't you change the stations, baby?
And count the grain elevators,
Watch'em go by in he rear view mirror'
'Any way you point this thing is
gonna beat the hell out of the sting!(6)
Cause every night I go to bed with all my dreams
I lie down and they die right here every morning
So come on, Presley, and drill me a hole with a barber pole(7)
Cause I'm jumping my parole like a fugitive tonight
Let's have another swig of that sweet Black Velvet
That sweet Black Velvet...
Let's pass that car!
Are you brave enough?
We can get there just before the sun comes up
You and me, on the way to Burma-Shave
Yeah... Cause I'm going crazy in
this town, man
Yeah, my old man gives me nothing but shit!
I don't know, I don't care what they say
Let's get out of town tonight!'
Vrrrrrrrrooooom
Vrrrrrrrrooooom
Vrrrrrrrrooooom
Well... I was talking to my
brother-in-law
He said there was a wreck out on the highway
He saw the smoke from the tires and the twisted machine
Oh, but all you've got is just a nickle's worth of dreams
And they've been swindled from you on the way to a place called Burma-Shave
You let the sun hit the derrick and cast a bat wing shadow
It's up against the car door on the shotgun side(9)
But you know something, baby?
I swear to God, when they pulled you from the wreck you still had on your shades
And dreams are growing wild every night
Just this side of Burma-Shave
And there's another young girl out by the highway tonight
with her thumb out
Just a few trucks going by...
Vrrrrrrrrooooom
Fish are jumpin', fish are
jumpin'(10)
And the cotton is high
Written by: Tom Waits
Unofficial release: "Cold
Beer On A Hot Night". KTS, 1993
(Transcribed by Ulf Berggren. Listserv Raindogs discussionlist. November, 1999)
(Live version. Austin/ USA. Austin City Limits. December 5, 1978)
Aarghhh... yeahhhh... You know eh... when I was a kid... my dad had a 1957 station wagon... It was a Chevrolet. And man did I love that car. I used to go in the garage at night and turn out all the lights and roll up against it. (laughter) Huh, huh. I think that's against the law! But I remember driving all the way across country, when I was a kid in the back... I remember seeing Burma Shave signs all the way across the country along Route 66. And eh, well this is a story about a young girl. This small little town, a place called Marysville. It's up around Yuba City, Gridley, Chico, they're all the same. The names are different. It takes about... oh 23 miles and you're in the next one and they got a Foster Freeze just like they had in the one you were trying to get out of...
And eh you see there was this
liquorice tattoo, he used to turn the gun metal blue
Scrawled across the shoulders of his dying little town
And he used to take the one eyed Jacks(2) out across the railroad
tracks(3)
With a scar on his belly there came a stranger passing through
And he was just a juvenile delinquent, he never learned how to behave
But the cops'd never think to look out in Burma-Shave
When the road was like a
ribbon, and the moon was like a bone
He didn't seem to be like any guy she'd ever known
He kind of looked like Farley Granger(4), the way he had his hair
slicked back
And she said 'Well honey I've always been a sucker for a fella in a cowboy
hat.
And just how far do you think
you might be going?
He said 'Honey that would all depend on what you mean'
Cause you see eh, I'm only stopping here cause I got to get myself some of
this gasoline'
'And I guess you should say I'm going thataway, why just as long as it's
paved
And I guess you'd say I'm on my way to Burma-Shave'
And he said: 'Honey why don't
you put your knees up on the glove compartment just like that'
She took out her barrettes, and man her hair spilled out just like rootbeer
And she popped her gum and she arched her back
And she said: 'Marysville(1) don't amount to nothing
it's just a wide spot in the road
and some nights my heart pounds like thunder
I don't know why it don't explode
If you ask me buddy, everyone in this stinking town has got one foot in the
grave
I'd rather take my chances with you, take me all the way to Burma-Shave'
And he said: Honey, nothing to
it. Cause you see eh... Presley's(5) what I go by,
why don't you change the stations
Let's count the grain elevators as they go by in the rearview mirror'
Cause anyway you point this thing,
it's got to beat the hell out of the sting(6)
Cause every night I go to bed and I lie down all my dreams
and they die here every mornin'
So comon Presley, drill me a hole with a barber pole(7)
Cause I'm jumping my parole just like a fugitive tonight
And let's have another swig of that Black Velvet.
let's pass that car man if you're brave enough
So we can get there just before the sun comes up
Out in Burma-Shave '
Just you and me baby,
cause this town is driving me crazy
driving me crazy, I'm going crazy baby.
Vroooooooommmm, vrooooommmmmm.
Oh honey you know, I don't
care what they say.
Go ahead and let them talk, yeah let them talk,
Cause tonight I'm gonna drive, I'm gonna drive baby
It's just you and me, it's just you and me baby.
Vroooooooommmm, vrooooommmmmm.
You see, the spider web
cracked and the mustang I heard it scream
Someone said there was a wreck out on the highway.
I saw the smoke from the tires and the twisted machine
Well all you got is a nickel's worth of dreams,
and they've been swindled from you
when you're on your way to a place
called Burma-Shave
And the sun hit the derrick
and cast a bat wing shadow
Up against the car door over on the shotgun side(8)
and baby when they pulled you from the wreck,
you still had on your shades.
But dreams are growing wild tonight,
just this side of a place I know...
called Burma Shave.
And over by the Foster Freeze,
well they're closing up now...
Yeah, they're closing up... The waitress is going through her purse...
There's only a few cars left... A truck rolls by... and there's another
young girl, up against the Coke machine... with swizzle-stick legs, sucking
on a Lucky Strike, and with a sign in her hand that says
"I'm On My Way To Burma Shave."
And it's a hot summer
night.
And the fish are jumpin'. Fish are jumpin' and the cotton, the cotton is
high... Your daddy's rich, your daddy's rich and your mamma's good-looking.
She's so good-looking baby.
Vroooooooommmm, vrooooommmmmm.
So hush now, hush now. Hush now, don't you cry, don't you cry baby , don't
you cry, don't you cry, don't you cry... don't you cry, don't you cry, don't
you cry, don't you cry, don't you cry, don't you cry, don't you cry baby,
don't you cry.
Don't you cry...
Written by: Tom Waits
No official release
(Transcribed by Pieter from Holland as published on Tom Waits Library,
2002)
Known covers:
Bangin' On The Table With An Old Tin Cup. Pascal Fricke. April 12, 2007. Self-released (Germany)
Notes:
(1) Burma Shave:
- Further reading: Burma-Shave.org
- Larry Goldstein (1978):
Waits' latest LP is entitled Foreign Affairs, and it seems destined to
be his biggest seller to date. His voice has never been better, though
to the new listener it migh t grate like flesh over gravel. The
difference in his vocal performance is best evidenced on the cut
"Burma Shave" on which, as Waits explained, "I was trying
to sing instead of just growling and grunting, which, by the time I get
off the road is all I can muster up." (Source:
"Nighthawks
at the Chelsea", Modern Hi-Fi and Musics SOUND TRAX: Larry
Goldstein. October, 1978)
- Brian Case (1979): Did he
get "Burma Shave" from the Nick Ray movie, They Live By Night,
from 1947? TW: "Yeah, that's the one. In fact that's a great
story. Very sad at the end where he gets mowed down at the motel. Farley
Granger does soap operas now, I think. He was in Minneapolis and this
woman disc jockey played it for him and he got a real kick out of it. He
always played the baby-face hood. He don't work much any more. I guess
Sal Mineo got most of his roles. Yeah, I used that. I kept coming back
to that movie image. Also, I have a lot of relatives in this little town
called Marysville, and a cousin, her name is Corrine Johnson, and every
time I'd go up there from Los Angeles in the summers, she was alway s
like you know 'Christ man - I gotta get outa this fucking town. I wanna
go to LA.' She finally did. She hitch-hiked out and stood by this Foster
Freeze on Prom Night. Got in a car with a guy who was just some juvinile
delinquent, and he took her all the way to LA where she eventually
cracked up. Burma Shave was a shaving cream company. Abandoned in the
late Fifties. Useta advertise all along the highway. I always thought it
was the name of a town. (Source:
"Wry
& Danish to go". "MelodyMaker" magazine. Brian Case.
Copenhagen, Early 1979)

- Kristine McKenna (1983): What do you consider
your best work? TW: "I like the story in "Burma
Shave" off Foreign Affairs, "Tom Traubert's Blues" off
the new album. I like "Dave The Butcher" and "In The
Neighborhood". (Source: "One
From The Heart & One For The Road ". New Musical Express
magazine. October 1, 1983. Interview by: Kristine McKenna)
- Tom Waits (1985): "Burma Shave is an
American shaving-cream company, like Colgate. They advertise on the side
of the road and they have these limericks which are broken up into
different signs like pieces of a fortune cookie. You drive for miles
before you get the full message. "PLEASE DON'T"... five
miles... "STICK YOUR ARM OUT SO FAR"... another five miles...
"IT MIGHT GO HOME"... five more miles... "IN ANOTHER
MAN'S CAR - BURMA SHAVE." They reel you in. So when I was a kid I'd
see these signs on the side of the road - BURMA SHAVE, BURMA SHAVE - and
I'm young and I think it's the name of a town and I ask my dad,
"When we getting to Burma Shave?" So in the song I used Burma
Shave as a dream, a mythical community, a place two people are trying to
get to. They don't make it." (Source:
"Dog
Day Afternoon" Time Out magazine (UK), by Richard Rayner. Date: New
York, October 3-9, 1985)
- Live intro from 'Storming
Heaven Benefit". Healdsburg. August 11, 1996: "Ths
is about a small little town... When I was a kid we used to drive cross
country. And for those of you who are old enough, you might remember the
Burma-Shave signs on the side of the highway [some applause]. Thank you,
all six of you! Anyway, this is about that. My dad yelling at me to hold
my horses! And thirty years later I yelled at my kids to hold THEIR
horses. So this is about a small little town. One of those tiny little
towns by the side of the road. And somebody thumbing a ride trying to
get out of town..." (Transcribed
by Ulf Berggren. Listserv Raindogs discussionlist. November, 1999)
(2) Across the (railroad) tracks: phr. [20C] inferior, second-rate (cf. WRONG SIDE OF THE TRACKS). [the area of a town in which the poor supposedly live; f. an era when many US towns were literally divided, socially as well as physically, by the railroadtracks] (Source: "Cassell's Dictionary Of Slang". Jonathon Green. Cassel & Co., 1998. ISBN: 0-304-35167-9)
(3)
One Eyed Jack
- Tom Waits (1979): "You
know, a one eyed Jack is like a... You got one headlight burned out on
your car. It's called a one eyed Jack." (Live
version of "Burma Shave". Sydney, Australia. March, 1979)
(4) Granger, Farley: Farley Earle Granger. Born: San Jose, Ca., July 1 1925. American actor and author. From 1943 on he played in films like: Edge of Doom, Arrowsmith, Strangers On A Train and They Live by Night (this movie by Nick Ray from 1947 (1949?) was the inspiration for the song Burma Shave). "Synopsis: "This boy...and this girl...were never properly introduced to the world we live in." With this superimposed opening title, director Nicholas Ray inaugurates his first feature, They Live by Night. Farley Granger and Cathy O'Donnell play a "Bonnie and Clyde"-type fugitive couple, who in trying to escape their past are hell-bent down the road to Doom. Despite their criminal activities, Bowie (Granger) and Keechie (O'Donnell) are hopelessly naïve, fabricating their own idyllic dream world as the authorities close in. The entrapment -- both actual and symbolic -- of the young misfit couple can now be seen as a precursor to the dilemma facing James Dean in Ray's 1955 film Rebel Without a Cause. A box-office disappointment upon its first release, They Live by Night has since gained stature as one of the most sensitive and least-predictable entries in the film noir genre. The film was based on a novel by Edward Anderson, and in 1974 was filmed by Robert Altman under its original title, Thieves Like Us. ~ Hal Erickson, All Movie Guide"

(5)
Presley, Elvis: Elvis Aaron
Presley. Born: January 8 1935. Died: August 16, 1977. (Burma Shave was
released 1977).
- Tom Waits (1993): "I was in Memphis recently for a wedding and I couldn't resist going
to Graceland. I especially liked the bullet holes in the swing set and the
red faced uniformed teen usherettes and their memorized text delivered
while gesturing at the rusted play structure. "Elvis and the boys
were just having a little too much fun one night and came out for a some
target practice." They also mentioned that Elvis had picked out all
the furniture for the Jungle Room in just thirty minutes." (Source:
"Tom Foolery - Swapping stories with inimitable Tom Waits". Buzz
Magazine: May 1993)
(6) Sting: [1970s] a police undercover operation designed to entrap alleged criminals (Source: "Cassell's Dictionary Of Slang". Jonathon Green. Cassel & Co., 1998. ISBN: 0-304-35167-9)
(7) Barber pole: The medieval symbol of a barber was a vertical pole with red and white spiraling stripes. In the 20th century some of these were displayed on the street powered by an electric motor, and had the appearance of a drill drilling into the sidewalk (Submitted by Gary Duncan. Raindogs Listserv discussionlist. September, 2000)
(8) Swig n.: A swallow, gulp, or mouthful, esp. of whisky (Source: Dictionary Of American Slang, Wentworth/ Flexner). Also mentioned in Falling Down: "Go on take a swig of that poison and like it."
(9) Shotgun side n.: The passenger seat in a vehicle. Origin: the American west (i.e. during the 1800s.) The "shotgun" was the person that sat next to the driver of a wagon with a shotgun, watching for trouble. (Source: The Online Slang Dictionary, Walter Rader)
(10) Shades
- n. pl.: A pair of sunglasses. Orig. bop musician use c1948-c1955;
now mainly beat and student use (Source: Dictionary
Of American Slang - Supplement, Wentworth/ Flexner).
- Also
mentioned in "A Sweet Little Bullet From A Pretty Blue Gun"
(Now never trust a scarecrow wearin' shades after dark)
(11) Fish are jumpin', fish are jumpin'. Quoting: Summertime. Written by: Gershwin/ Heyward. Originally performed by Abbie Mitchell in "Porgy and Bess", 1935: "Summertime and the livin' is easy. Fish are jumpin' and the cotton is high. Yo' daddy's rich and yo' mama's good lookin'. So hush little baby, don't you cry. One of these mornin's, you're gonna rise up singin'. You're gonna spread yo' wings and take to the sky. But til that mornin' ain't nothin' can harm you. With yo' daddy and mammy standin' by."