(Early demo version, 1971)
Diamonds on my windshield
Tears from heaven
Pullin' into town on the Interstate
Pullin' a steel train in the rain
Wind bites my cheek through the wing
Fast flying and freeway driving
Always makes me sing
Duster tryin' to change my tune
Pullin' up fast on the right
Rollin' restlessly, twenty-four hour moon
Wisconsin hiker with a cue-ball
head
Wishin' he's home in a Wisconsin bed
Fifteen feet of snow in the east
Colder than a welldigger's ass
And Oceanside, it ends the ride,
San Clemente coming up
Sunday desperadoes slip by
Texaco station close in, you cruise by with a dry back
The orange drive-in, neon billin'
Theatre's fillin' to the brim
Slave girls and a hot spurn bucket full of sin
Metropolitan area, interchange and connections
Fly-by-nights from Riverside
Black and white plates, out of state, running a little late
Sailors jockey for the fast lane
101 don't miss it
Rollin' hills and concrete fields
Broken line on your mind
The eights go east and the fives go north
And the merging nexus back and forth
See your sign, you cross the line, signal with a blink
Radio's gone off the air, and gives you time to think
Easy ridin', creep across, this intersection [?]
Hear the rumble as you fumble for a cigarette
Blazin' through the neon jungle
Remember someone that you met
And one more block, the engine talks
And whispers: home at last
Whispers
Whispers
Whispers home at last
Home at last
Written by: Tom Waits
Published by: Warner Chappell Music Ltd., 1971-1992 & Bizarre/ Straight
Records, 1992
Official release: "The Early Years 2". Issued under licence from
Bizarre/ Straight Records by Edsel Records, 1992
Recorded July - December 1971, Los Angeles, CA
(Not authorized by Tom Waits)
(The Heart Of Saturday Night studio version, 1974)
Well, these diamonds on my
windshield
And these tears from heaven
Well, I'm pulling into town on the Interstate
I got a steel train in the rain
And the wind bites my cheek through the wing
And it's these late nights and this freeway flying
It always makes me sing
There's a Duster(2)
trying to change my tune(3)
He's pulling up fast on the right
Rolling restlessly by a twenty-four hour moon
And a Wisconsin hiker with a cue-ball head(4)
He's wishing he was home in a Wisconsin bed
But there's fifteen feet of snow in the east
Colder than a welldigger's ass
And it's colder than a welldigger's ass
Oceanside, it ends the ride with
San Clemente coming up(5)
Those Sunday desperadoes(6) slip by and cruise with a dry back
And the orange drive-in, the neon
billin'
And the theatre's fillin' to the brim
With slave girls and a hot spurn bucket full of sin
Metropolitan area with interchange and connections
Fly-by-nights(7) from Riverside
And out of state plates running a little late
But the sailors jockey(8)
for the fast lane
So 101 don't miss it
There's rolling hills and concrete fields
And the broken line's on your mind
The eights go east and the fives go north
And the merging nexus back and forth
You see your sign, cross the line, signalling with a blink
And the radio's gone off the air
Gives you time to think
And you hear the rumble
As you fumble for a cigarette
And blazing through this midnight jungle
Remember someone that you met
And one more block, the engine talks
Whispers 'home at last'
It whispers 'home at last'
Whispers 'home at last'
Whispers 'home at last'
Whispers 'home at last'
And the diamonds on my windshield
And these tears from heaven
Well I'm pulling into town on the Interstate
I got me a steel train in the rain
And the wind bites my cheek through the wing
Late nights and freeway flying
Always makes me sing
It always makes me sing
Hey, look here, Jack
Okay
Written by: Tom Waits
Published by: Fifth Floor Music Inc. (ASCAP), © 1974 & Warner Bros. Music
Ltd, 1986
Official release: "The Heart Of Saturday Night", Elektra/ Asylum
Records, 1974 &
"Bounced Checks", WEA/ Asylum Records, 1981 &
"Anthology Of Tom Waits", WEA/ Elektra, 1984 &
"Asylum Years", WEA International Inc., 1986
Known covers:
Life Imitates Art. Steve Glotzer. September 12, 2000. The Orchard
Notes:
(1) Jay S. Jacobs: "Diamonds
on My Windshield" was scribbled on the back of a tour itinerary in
a single spontaneous burst, and it recalls Tom's days of shuffling
between San Diego and Los Angeles, stopping regularly for a cup of
coffee, a bathroom break, or a car repair. Pulling out this scrap of
paper in the studio, Tom began to wrestle with his jotted lyrics, but
"Diamonds" just wouldn't click. Finally, the session musicians
caught a vibe that Tom liked. The bassist, Jim Hughart, hit on a cool
bass line, and the drummer, who that day was Jim Gordon, pulled out the
brushes and delivered a hot shuffle beat. Gordon, a brilliant studio
musician, was once a member of Eric Clapton's supergroup, Derek and the
Dominoes; he cowrote the rock anthem "Layla" with Clapton.
Years later, in a fit of dementia, he killed his mother, and he was
forced to spend his later years in a mental hospital. But that day at
Wally Heider Recording the atmosphere was unclouded by specters of
tragedy. Waits, Hughart, and Gordon nailed "Diamonds on My
Windshield" on the first take. (Source: Wild Years, The Music and Myth of Tom Waits. Jay S. Jacobs, 2000)
-
Tom Waits: (introducing Diamonds
On My Windshield, Folkscene, 1974): "This is about driving in
the rain. I used to make that track from San Diego to Los Angeles a lot,
usually with several pit stops on the way with engine trouble. So this
is about driving in the rain, circa 1973, so slip me some crimson,
Jimson." (Source: Folkscene 1974, with
Howard and Roz Larman (KPFK-FM 90.7) audio tape. Date: Los
Angeles/ USA. July 23, 1974 (June 10?))
- Tom Waits: On Diamonds On My
Windshield (WAMU Radio, 1975): "I didn't really know what
to do with that piece cause it was written out just as some spontaneous
verse that I had written on the back of an itinerary and I didn't know
what the hell to do with it. So we went in the studio and I tried
singing it, tried doing it a-capella - nothing worked. Jim Hughart was
playing the upright bass with me for that session just started playing a
modal bass line and I just started talking and Jim Gordon started
playing a cool 12 bar shuffle on brushes and we just winged it in one
take and we had it and I like the way it came out. I'm gonna do more of
that on this 3rd album that I'm thinking about right now and writing for
out here. I bring a tape recorder with me and when I get back to the
hotel I talk to myself and I'm working on some spoken word pieces that I
want to do with accompaniment. I call it Metropolitan Doubletalk and I'm
going to be doing more of that on this forthcoming album. It's called
Nighthawk Postcards From Easy Street so I'm going to explore some more
of that kind of thing." (Source:
WAMU Radio Interview, audio tape. Date: Washington, DC. April 18,
1975)
- Tom Waits (introducing Diamonds On
My Windshield, 1976): "Well, let's see here uh... I uh... uhm. I'm gonna do a thing about cars uh. This is kind of a, sort of a mutational uh sub cultural uh automotive uh Southern California fascination with the internal combustion engine. Maybe we do something here uh.. [starts snapping fingers] This is about a uh... I don't know uh, it seemed like getting my drivers license when I was a kid, was like uhm... You know uh, certainly a major event, you know uh. I mean it was almost as important as puberty. You know uh, so uh... Well the first car I ever had I bought for $125 from a guy uh who was leaving town, and he had to let it go and it was like uh, real sentimental to him, you know uh? It was a Buick Roadmaster and uh he said: "Well, turn it over." [imitates starting engine trouble]. Well I said: "Well, I give you $100 for it." Huh, huh... And uh, so this is a little bit of uh... little piece here about driving in the rain... No wipers, and a glove compartment full of moving violations. You know? Huh, huh..." (Source:
WNEW FM: Vin Scelsa's Idiot's Delight Date: Recorded MediaSound Studios
NYC. December 14, 1976. Aired December 18, 1976 on WNEW-FM. Rebroadcast
March 24, 1996 WNEW-FM)
(2) Duster: American car produced by Chrystler (Plymouth Duster, Plymouth Valiant Duster)

(3) Change one's tune:
- phr. [late 16C+] to alter one's opinions or statements, esp. to go back on
what one has previously said [musical imagery] (Source:
"Cassell's
Dictionary Of Slang". Jonathon Green. Cassel & Co., 1998. ISBN:
0-304-35167-9).
- Also mentioned in Drunk On The
Moon, 1974:
"Don't try and change my tune."
(4) Cueball, cue-ball n.: A man or a boy who has just had a close or crew haircut. Army and student use. Because of the resemblance between a white billiard cue ball and a closely cropped head. Archaic (Source: Dictionary Of American Slang, Wentworth/ Flexner)
(5) Oceanside, it ends the ride with San Clemente coming up: Driving from San Diego along the Interstate (I-5 freeway) in the Los Angeles direction. "The I-5 freeway has replaced the notorious old US-101 highway, a three-lane road whose center passing lane was so dangerous it earned the name "blood alley", the site of more fatalities per mile than any other stretch of road in the state." The I-5 freeway was completed in 1960 and was the last major section of US-101 to be signed on a new alignment south of Los Angeles.

(6) Desperado n.: A person who borrows or gambles larger sums than he will be able to pay; one whose standard of living is sensationally more costly than his income warrants (Source: Dictionary Of American Slang, Wentworth/ Flexner)
(7) Fly-by-night
- n.: One who defrauds his creditors by decamping at night-time. (Source:
"The
First Hypertext Edition of The Dictionary of Phrase and Fable", E.
Cobham Brewer. © 1997-99 Bibliomania.com Ltd)
- [late 19C+] anyone dubious, crooked, criminal, esp. of a businessman who
takes one's money but fails to provide any or at least adequate
recompense